Daniel Clark
Born in Banbury, 1988
Lives and works in Burra Isle


‘Gaada’ + ‘Toogs art workshop’, Shetland, 2018—present *🥔

As Curator
No artist is an island,
Gaada, Shetland, 2022-23🥔
Gaada, Shetland 2021-22 🥔
Weemin's Wark
, Gaada, Shetland 2020-21 🥔

Selected Public, Press, Research, Awards etc Fanzinekveld, Pamflett, Bergen, Norway, 2022
Artists Drop In: working in rural settings, a-n, 2022
40 Years 40 Artists, a-n.co.uk, online, 2021 🥔
What if...?/Scotland, Scotland + Venice, V&A Dundee, 2021
an Artist Bursary, 2020
Curatorial North, SCAN + An Talla Solais, Ullapool, 2019/2020 🥔
Cultivating Communities, a-n Assembly + Tendency Towards, Anatomy Rooms, Aberdeen, 2019 🥔
Hau did ju ever iskeip, Off Site Project Google Maps Residency, Online, 2018
Visual Artist and Craft Makers Award, Creative Scotland, 2018
House Taken Over, Tate Exchange, Tate Modern, 2018
Visiting Artist, Printmaking Department, Ruskin School of Art, 2017–2018
Print Futures Award, 2017
Visiting Artist, Norwich University of the Arts, 2017
The little strange sound was the living voice of the brooding presence, David Toop x Wysing Arts Centre, 2016
Visiting Artist, University of Brighton, 2016
Technical Instructor in Printmaking, Royal College of Art, 2015–18
Visiting Artist, Manchester School of Fine Art, 2015
Shelia Sloss Graduate Award, Printmaking Council, 2015

Selected Publications
Worry casting, artist book, 20pp, (Self-published), 2022
We Axe For What We Want, Risograph + Screenprinted book, 124pp, (Shetland: Gaada), 2021
Instructions for Time Travel with West Burra Quartz
, folding woodcut multiple, (London: SWAP Editions), 2020
Teeming stereo pair, boxed multiple, (Self published), 2018
Dark Matter(s), Offset book, (London: Arts Council England), 2017
Noting R0 G255 B0, SightUnseen, Toner book, (London: Techne, RCA), 2017
Deep voicelessness, Risograph text, Savorr x Wysing Polyphonic, Wysing Arts Centre, Cambridge, 2016
Voiceprints, Printmaking Today, article, (London: Cello Press)
Conversation for an oscillating home Lithograph pamphlet (Self published), 2015
Lean-to, assorted boxset (London: RCA), 2015
I can see for miles and miles and miles, article, ARC Issue #18 (London: RCA), 2014
Towards the voice, print, and void, Offset book, (Self published), 2014
Yesterday’s Wrong Thinking, Risograph pamphlet, (London: RCA), 2014
Black billowing clouds, Audio cassette, digital download (Self published), 2013
Where the seiche sips, Audio cassette, digital download, booklet (Self published), 2012

Foley fricatives, Figure Three, Baltic 39, Newcastle, 2016
Conversations for an oscillating home, RCA, London, 2015

Selected Group / Performance*
Mak a Laang Erm, Gaada, Burra Isle, Shetland, 2022🥔
Mak a Laang Erm,
Gaada, Burra Isle, Shetland, 2021🥔
SWAP #5: Island
, SKELF [online] + Fuel Tank, Deptford, 2020
Honds Reach Up by Amy Gear [as composer], Shapes of Water, Travelling Gallery, Scotland, 2020-21
Space Station ØY
, Motí x ØY Festival, Papa Westry, 2018
Dark Matters, Guest Projects, London, 2017
Photocopy Show, Test Space, Spike Island, Bristol, 2017
Hidden, Dyson Gallery, London, 2017
These Pits & Abysses*, CLF Café, London, 2016
Guiding William and Maria, Chambers*, Hardwick Gallery, Cheltenham Spa, 2016
Wysing Polyphonic, Wysing Arts Centre, Cambridge, 2016
Choir of Potatoes, Stop Bugging Me*, Tintype Gallery, London, 2015
Multiplied, Christie’s, London, 2015
PR!NT, Impressions & Expressions, Editions & Seditions, La Cambre 346, Brussels, 2015
Conversation for an oscillating home, SHOW, Royal College of Art, London, 2015
Lean-to, Tenderbooks, London, 2015
Aren’t: Alternative Audio Guide for the National Gallery, London, 2015
Objects Of, Café Gallery Projects, London, 2015
Band II Collage, All silent but for the buzzing*, Dyson Gallery, London, 2014
Performing Print: Bring the Archive Alive, Christie’s, London, 2014
Yesterday’s Wrong Thinking, Café Gallery Projects, London, 2014
Now, Then, After, University of Brighton, Brighton, 2013
Murmurs, The Horse Hospital, London, 2011

MA Printmaking, Royal College of Art, 2013-2015
BA (Hons) Illustration, University of Brighton, 2007-2010

Word and Image Collection, Victoria and Albert Museum
Special Collections and Archives, Bishopsgate Institute
RCA Print Archive, Royal College of Art
Sound & Moving Image Archive, The British Library
Department of Music, Goldsmiths, University of London